
More posts than Smiths
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Location: London, England
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The Matrix Revolutions (Winter, 2003):
Synopsis:
Having collapsed at the end of The Matrix Reloaded after destroying a platoon of sentinals, Neo has fallen into a coma. Or has he? In actuality, his mind is broadcasting its own signal into the Matrix. To be precise, he's broadcasting his signal to a virtual 'train station' that acts as an illicit conduit between the machine city network (the 'Source') and the Matrix. It is another path to the Source, like the Architect's chamber. Here, Neo encounters something unique to his experience - programs that express love. He bumps into a program family on their way to the Matrix from the machine world. The mother and father created a program for no other purpose than out of love. The child program is called Sati.
Due to machine policies on purposeless (i.e. 'obselete') programs, Sati has been targetted for deletion. As it is the Merovingian who controls the Trainman program who provides transit between the machine world and the Matrix, the father reveals that he struck a deal with the Merovingian to allow his daughter safe passage to exile in the Matrix in exchange for the termination code for the Oracle's shell. The Oracle, believing in the importance of Sati, agreed to this. She also agreed to take care of Sati in the Matrix.
To free Neo from this 'limbo', Trinity Morpheus and Seraph raid the Merovingian's nightclub, They strike a deal with the Merovingian (well, it's at gun-point, actually ), and Trinity rides the train into the limbo world and retreives Neo.
Neo insists on meeting with the Oracle once more. Time, it seems, is running out.
Neo effectively storms into the Oracle's apartment and demands answers to "why". He wanted to know why she hadn't told him what the Architect had told him. He wanted to know how he stopped an entire platoon of sentinels in the real world. And he wants to know how the hell he can be standing in front of her without being physically jacked in to the Matrix.
She reveals that Neo's bullet-stopping abilities within the Matrix are but an off-shoot of a much larger connection. The explanation behind all of his abilities is that he is connected to the Source. Fans of Ghost In The Shell will understand the idea of a wireless connection to a network. Being full of so many mechanical augmentations as a pod-born human, it's little surprise that Neo could be manufactured to be able to act as a transceiver on the machines' electromagnetic frequency.
In other words, his old abilities within the Matrix and his new ones to potentially jack in at will and to interact with machines in the real world are all due to Neo's link to the Source (let's not forget that the Matrix is derived from the Source, too - they're linked via the trainstation and the Architect's chamber which were, after all, created by the machines as well).
Neo also learns that due to Neo's failure to integrate with the Source after meeting the Architect, Smith has gone on replicatiing - devouring humans to do so. Almost no human or program is left within the Matrix, and it's only a matter of time before Smith reaches the Oracle as well. She reveals that once he absorbs her, "he will have the power to destroy this world". Most disturbing of all, she reveals that Smith's obsession with the 'purity' of oblivion will lead him to 'purge' the world completely of both man and machine.
It is, of course, up to Neo to find a way to stop him.
After much meditation upon his thoughts and visions (he's now getting visions of three huge power-lines), he reveals to the assembled crews of the Neb, Logos and Hammer that he must take one of the ships to the machine city. After an 'accidental' release of an electromagnetic pulse left all the other ships non-functioning and their crews slaughtered (bar one survivor, Bane) when they were getting in position for an EMP ambush, these two ships are all that are left functioning (the Neb was destroyed at the end of Reloaded). However, Logos Captain Niobe agreed to give her ship to Neo.
Neo knows he's not coming back. Trinity knows he's not coming back. And she goes with him.
The two ships have their missions: the Logos will take Neo and Trinity to the machine city and the Hammer will head for Zion to set off its EMP before it's too late.
However, Bane - posessed by Smith's conscious in the real world - snuck on to the Logos and ambushes Neo and Trinity. A brutal fight leaves Neo without any eyes, and Bane without a head.
Blinded, Neo and Trinity head toward the machine city. As the tunnels come to an end, they ascend above the pod fields. We see what Neo sees - he's picking up the machines' electromagnetic energy that surges through the field as though it were golden light.
Neo 'sees' the three powerlines from his vision and tells Trinity to follow them...they lead past the fields and towards the impenetrable defenses of the machine city. The city defense system attempts to stop the Logos by hurling bombs and sentinels at it. They then hurl the Logos upwards towards the sky, as Neo - now attuned to the machine consciousness - understands that the reason the machines could never do anything about the clouds was because they generated mini electrical storms within them that acted as elevtromagnetic pulses. Neo and Trinity push through the cloud, the ship and surrounding sentinels short-circuiting, and hover above the clouds for one very profound moment...as Trinity becomes the first human to see the Sun for what may be a thousand years.
"Beautiful."
They then crash-land in the machine city, and this is where Trinity meets her death. She wills Neo one last time, reminding him of his mission to save humanity.
Now unrestrained by Trinity's love, Neo clambers up the ships remains and walks into the city "built of light". Here, he meets the Deus Ex Machina.
The war has now been raging in Zion for many hours. The dock was destroyed, and the Hammer's bombastic arrival heralded only a few moments of solace. The EMP having wiped out Zion's own defenses as well as the invading sentinels, the humans are cornered at Zion's lowest level - the temple - as they await the machines' final push to complete their extermination.
With both races on the verge of complete annihilation - the machine army approaching Zion and the 'Smith army' poised to take the machine city - Neo strikes a deal with the floating head: a ceasefire in exchange for him delivering Smith's head. Metaphorically speaking, of course
Understanding that neither man nor machine can survive without the other, Neo's understanding of the war has changed from Morpheus' preconception of 'absolute victory' to the idea of compromise between two races.
The sentinals stand down, and everyone awaits the outcome as Neo jacks into the Matrix from the Source to face Smith for the final time.
Having consumed the Oracle, it is the Oracle's Smith-infested shell that he now fights.
They fight as only gods can.
From thousands of feet in the air, Smith smashes Neo into an intersection - the same intersection from which he rose at the end of the first film. Neo, his consciousness slipping, hears the words "everything that has a beginning has an end" coming out of Smith's mouth. The Oracle's exact words. It is now that he realises that he must stop trying to defy the inevitable. His whole life that was centered around breaking out of control was at an end. It was time for him to accept his fate.
In letting Smith consume him, Smith is now connected directly to the Source. As the Oracle reveals, programs can only be deleted at the Source. Neo, acting as the coinduit between Smith and Source, causes Smith's ultimate demise.
The balance restored and the ceasefire maintained, the Oracle and the Architect exchange a few words - the former hopeful, the latter cynical of the future. It is the Architect's contention that the humans will be the first ones to break the peace.
The Crater - What the Hel is Smith babbling about?:
Dunno.
Hehe...just kidding
~"We can never see past the choices we don't understand."~
Oh, really? Well, let's think back to those heart-pounding moments before the Superbrawl as Smith clearly states (and freaks us out) that "we already know that I'm the one that beats you". Whoa.
Well, we reach the crater scene - Neo about to pass out (hey, a crater-inducing crash-landing on yer back will do that to ya) - with Smith about to go in for the kill when Smith suddenly stops in his tracks:
~"Wait, wait...I've seen this! This is it! This is the end! You were lying there just like that and I...I stood here, right here...and I'm supposed to say something...I say..."everything that has a beginning has an end, Neo."~
Well, Smith is hardly one to call Neo by his hacker alias (there'd by no "Misster Anderson", otherwise ), and we all know that the Oracle told this to Neo earlier on. Without having a friggin' cue-card held up to explain it, I'm sure most intelligent human beings can come to the conclusion that the Oracle is talking to Neo from inside Smith.
And it as this point that a light blub goes on in Neo's head. HE UNDERSTANDS THE CHOICE!
Now, the Oracle's vision within Smith completes itself. The choice has been made, and Smith sees his own destruction in that blinding white light:
Smith: Get away from me!
Neo: You were right Smith. You were always right.
It was inevitable.
Confused, and consumed with utter hatred, Smith thoughtlessly lunges forward in a desperate attempt to end this.
~"Is it over?"~
Heh...more than you know, stud
The Ending - The Real Story Of The Matrix Trilogy:
The Oracle and Architect obviously know something no-one else does...what is it?
Architect: You played a very dangerous game.
Oracle: Change always is.
Damn, that Oracle's a slippery one...
You see, while all the little humans and programs are scurrying about, the story - on its highest level - comes down to these gods watching their titan children, Neo and Smith, duke it out.
And why?
Well, the Oracle wants good things. She's unhappy with the way things are going. Being an intuitive 'human' program, she hates the idea of the Architect coldly murdering so many human lives in Zion every time just because his logic-limited thought can't get him to think of a better, more organic solution.
So what exactly was this "dangerous game" of the Oracle's to bring about this change?
Well, let's think all the way back to the first Matrix. Before they even find Neo, the Oracle convinces Trinity that she will fall in love with the One. The human psyche being what it is, this is precisely what happens, but as the sentimentality of the story suggests, this 'love' is only for functional purposes - it's not 'real', as it were. Think of it like an arranged marriage, if you will. It's the reason why their romance is never truly convincing, and yet is somehow passable!
It is this love for Trinity that causes Neo to break the cycle at the end of Reloaded when he chooses the 'wrong' door. And why does he do that? The 'functional love' that is Trinity!
Oh, that crafty Oracle...
But wait! Her plan isn't quite complete! As if that wasn't dangerous enough, she allows Smith to assimilate her and assume her godly powers! Great - a schizophrenic virus program that has the powers of a god. Yes, that is why only Neo can stop him. [Note: Ever seen that episode of Spider-Man where the Beyonder convinces Dr. Doom that he's been absorbed but is actually in complete control of Doom the whole time? Well, swap the Beyonder with the Oracle and Doom with Smith, and hey-presto, you've got the Oracle-Smith who Neo faces at Revolutions' climax.
And the point of that? What has the Oracle allowing Smith to become so powerful got to do with "change"? Two reasons:
1. - Using the ever-spreading Smith as a bargaining chip, a truce between man and machine can finally be struck, but more importantly...
2. - ...it is the motive for Neo to sacrifice himself whilst being jacked in at the Source.
Huh? But what good will that do?
My young Padawan, it is - as they say - 'all in the eyes'.
See, those who have seen the Animatrix episode, Matriculated (the one that's like a psychedelic LSD trip) will know that machines that have human sympathy and understanding integrated into them have green eyes instead of red ones. At the end of Revolutions, the machines' eyes turn green and Neo fusing with Smith at the Source - his 'spirit' pervading the new Matrix 7.0 (or 6.1 if you're Microsoft) - has provided the 'human' element that the Architect could never obtain for his program.
In other words, it is my contention that the Matrix no longer requires a system to collect anomalies (i.e. no 'One' is required to reboot the Matrix and clear out Zion for the next lot).
It was indeed an intricate plan, and Seraph - thinking that the Oracle must have always known that this was happen - is told that even the all-knowing Oracle had to have a little bit of faith that all would go according to plan and that Neo would do the right thing...even if it took a little reminder as she gave her final words of advice through Smith
In other words, the 'real' story of The Matrix Trilogy is this.
Review:
Becoming an official 'fan' of The Matrix after Reloaded, I had something going into this movie that I didn't have going into the last one - anticipation.
Yes, I had a whole host of expectation going into this film, but after being put in my place during Reloaded, I had learned that absolutely anything could happen. So I avoided all the various self-proclaimed 'official scripts' on the net this time, and went on opening day to see the final installment of the Wachowskis' brain-child.
Needless to say, I was left utterly speechless. My kid brother insisted on me sneaking him in and he was left somewhat dazed and confused. With an enlightened, unsmug smile gracing my face, I walked out of the cinema and began explaining the movie to him. Somehow, I'd explained the whole of Revolutions and how it fit in with the preceding three films in under three minutes, inadvertantly amassing the rest of the audience around me by the time we reached the parking lot listening in to me breaking it down to my brother. Small, self-directed epiphanic smiles and sounds rumbled through the small crowd and we all went our separate ways, truly having never been more satisfied at any final installment. Later that year, I would be underwhelmed - though entertained - by The Lord Of The Rings: The Return Of The King, and it was nice to see at least one trilogy ending with an unexpected amount of artistic balls.
The movie excelled in originality and visual flare - the future hasn't looked so bleak since Blade Runner, and Revolutions put that motif on an epic visual and subtextual level. Shadows of religions, mythologies, stories and philosophies merged into a seemless, cohesive dystopia as the greatest cyberpunk epic ever told reached its forboding climax. It is within the closing minutes that the Wachowskis prove their worth as story writers and visual artisans, as they take Kubrickian sensibilities and OD them on steroids.
This dynamic, dark and daring vision of the future will remain the underappreciated gem of The Matrix Trilogy with most peoples' favourites remaining as one or either of the first two chapters.
Rest-assured, only time will tell whether The Matrix Revolutions will one day become the now-proverbial 'Empire Strikes Back' of the saga.
Review (Old):
[This is my old 'pissed off' review.]
It's too bad that people couldn't see this movie the way it was meant to be viewed.
Expecting it to be an instantly-accessible, MTV-esque action movie that requires no more brainpower than pressing a button on your remote control. This is an epic. The Lord Of The Rings had a huge universe where the sheer size and scope left you in awe of the fantasy world. The universe of The Matrix is equally huge, but in a more spiritual, mental, inner sense. Neo's battle becomes increasingly internalised, whereby his knowing himself will hold the key to humanitiy's survival. It's about the evolution of machines, and the breaking down of the simulacra that has overtaken ideas like "love". It is about embracing a peace rather than kicking the shit out of each other. It's about good and evil becoming one rather than one being victorious over the other. It's about one man's struggle to find his place, to sacrifice everything he loves and to give his life for what he believes in.
This is alternative entertainment in mainstream cinema. The Nietzchean dialogues should not be taken lightly or overlooked like a Will Ferrel joke - they are there to make you think. People want answers to be laid out like toys during kindergarten playtime. What people got was every single answer to every single question, but you actually had to think to get it. Unlike movies like The Usual Suspects or Vanilla Sky, where the answer to the confusion is wrapped up in a neat, simple packet, The Matrix challenges you from (literally) opening sequence to closing credits.
Hate intricately-crafted, artistically beautiful monologues? Don't watch this movie - or Ghost In The Shell for that matter (or its upcoming sequel, Innocence). You want Bruce Willis In A Vest 4? You're looking down the wrong rabbit hole.
Wake up.
Or stay unconscious.
Just don't talk in your sleep.
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