[Enter The Matrix]
Sparks: "And for the record, when I cart your bodies back to Zion, do you prefer cremation or the gardens?"
Ghost: "Sparks, your faith in us remains a source of personal inspiration."
Sparks: "Well, I am what I am and I do what I can."
Niobe: "Then, can you shut up and hit the button?"
Sparks: "Your wish, Captain, my Captain, is my keystroke, colon, double backlash, execute, command."
 

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Any kind of Matrix info (from our world)

 

Splinterinyourmind

New trivia  

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It won't let me put so much information on this, so I'll post more than once. I got all of this information from

imdb.com...
(Internet Movie Database). Very good site, so check it out!
Very Happy

TRIVIA FOR THE MATRIX:
Ewan McGregor was offered, but turned down, the part of Neo. Val Kilmer was at one time attached to play Morpheus.


Will Smith was approached to play Neo but turned it down in order make Wild Wild West (1999).


Before filming, the principal actors spent four months with martial arts experts learning the fight moves. From October 1997 to March 1998.


'Moss, Carie-Ann' twisted her ankle while shooting one of her scenes but decided not to tell anyone until after filming, so they wouldn't re-cast her.


According to some crew members, Keanu Reeves was really vomiting as shown in the film when his character Neo leaves The Matrix for the first time. It was because of a chicken pot pie he ate, apparently.


Sets from the film Dark City (1998), including rooftops, buildings and others exteriors sets, were used in this film. The rooftops that Trinity runs across at the beginning of the film are the same ones that John Murdoch runs across in Dark City.


There are many who might legitimately claim to have invented the time-freezing photographic technique used in the movie. It might have been French director Michel Gondry who used it for the first time in a commercial (for an insurance company) and then in a video clip for Björk. It might have been architectural graphics artist Matthew Bannister who, in his academic work, suggested that motion and time in video could be separated, and proposed an apparatus for doing it much like that used for the film (but who was unable to make it work with then-available technology). Or even artist Tim Macmillan who demonstrated the technique on British television in 1993. It may be that each of them, and others, invented it independently. The debate rages on. But not here.


The scene in which Neo meets the gifted children in the Oracle's apartment is an homage to the similar scene at the end of Akira (1988). The Wachowski brothers acknowledged the influence of anime films in a brief USA Today interview a few days after the film's release.


There are numerous references to "Alice in Wonderland" and "Through the Looking-Glass and What Alice Found There".


When Tank is uploading the Martial Arts training to Neo, there is a shot of the computer screen as it scrolls through the various Martial Arts styles. The graphics have a computer image of a person and the title of the style below. The first one on the screen is entitled "Drunken Boxing". Woo-ping Yuen, the fight choreographer for this movie, was director and fight choreographer for 'Chan, Jackie' 's early hit, Zui quan (1978) in which Jackie Chan's character masters the style of Zui Chuan, or Drunken Boxing.


When Neo is calling to get extracted from the Matrix, he says, "Mr. Wizard get me out of here." - a reference to the 1960s cartoon Tooter Turtle. Each episode, Tooter would yearn to be something he wasn't and have his friend Mr. Wizard (a lizard) wave his magic wand and make him an astronaut or a scientist or whatever. Inevitably, Tooter would quickly get himself into trouble and call out, "Help Mr Wizard," and the lizard would say, "Drizzle, drazzle, druzzle, drome, time for this one to come home." Tooter would be transported back to his old self and be chided by Mr Wizard to "be happy with what you are".


When the traitor meets with agent "Smith", we learn that his name is Reagan. He says he wants to be someone important, maybe an actor, and that he wants to "remember nothing".


When Neo fights Morpheus in the construct, the three pieces of music that play on the score are termed the "Bow Whisk Orchestra" by composer Don Davis. It consists of a semi-improvisational piece with Asian instruments by Davis, the song "Leave You Far Behind" by Lunatic Calm, and another piece by Davis called "Switch or Break Show". Both "Bow Whisk Orchestra" & "Switch Or Break Show" are anagrams of "Wachowski Brothers". Also, when Neo, Morpheus, and Trinity return to the building after visiting the Oracle, the piece of music that plays is called "Threat Mix". Later, when in the same building Morpheus fights Agent Smith, the musical piece is called "Exit Mr. Hat". Both "Threat Mix" & "Exit Mr. Hat" are anagrams of "The Matrix".


When Neo is in the elevator on his way up to see the Oracle, to his right one can see "KYM" carved into the wall. This apparently refers to Kym Barrett, costume designer.


As Neo runs through the old lady's apartment near the end of the film, we see an image on the TV of a menacing man in a black suit coat. The image is that of one of the Number 2s from the TV show "Prisoner, The" (1967).


The glyphs on the computer screens, with the exception of the call traces, consists of reversed letters, numbers, and Japanese katakana characters.


All of the references to street corners (e.g. Wells and Lake) are real intersections in Chicago, USA, the Wachowski brothers' hometown. The subway train has signs for "Loop," another Chicago reference. The film however is quite obviously not set in Chicago or any other real city (though it was filmed in Sydney).


Trinity's room number is 303 ("trinity" 3). Neo is The One and number of his apartment is 101.


When Neo is meeting with the Oracle, the music playing in the background in her apartment is Duke Ellington's "I'm Beginning to See the Light".


The number of the phone Trinity was using at the beginning of the movie is 555-0690.


In the Oracle's waiting room, the television is showing white rabbits (which, at the beginning of the film, Neo was instructed to follow) from Night of the Lepus (1972).


Some personal information can be seen on Thomas Anderson's "criminal record" that Agent Smith glances at when he interrogates Neo: - The last update to the file was July 22, 1998 - Neo's date of birth is "March 11, 1962" - Neo's place of birth is "Lower Downtown, Capitol City" - Neo's mother's maiden name is "Michelle McCahey" - Neo's father's name is "John Anderson" - Neo attended "Central West Junior High" and "Owen Paterson High" (named after the film's production designer).


The motorcycle Trinity rides is a jet black Triumph Speed Triple.


The name of the company Neo works for is Metacortex.


"Know thyself", the phrase in the kitchen of the "oracle", was the inscription above the entrance of the Delphic Oracle.


The car used while inside the matrix is a black 1964 Lincoln Continental.


The name of the company Neo works for is Metacortex. The roots of this word are meta-, which according to Webster's means "going beyond or higher, transcending," and -cortex, which is "the outer layer (boundary) of gray matter surrounding the brain." Thus, Metacortex is "transcending the boundaries of the brain," which is precisely what Neo proceeds to do.


Neo's room number is 101. Room 101 was the place in George Orwell's book "1984" where people were sent to be tortured and would end up believing something that wasn't true.


Principal photography wrapped at 1:01 AM with the scene where the characters are inside the wall, climbing down. -Principal photography took 25 weeks/118 days


The hallway where Trinity first runs from the agents is where Neo makes his last stand against the agents.


This is the second time that Laurence Fishburne plays a captain of a ship. He was Captain Miller in Event Horizon (1997).


Neo is often referred to as the "One". One is an anagram of Neo.


The book Neo hides his computer discs in is called "Simulation and Simulacra". The chapter where they're hidden called Nihilism. Nihilism often involves a sense of despair coupled with the belief that life is devoid of meaning.


The blocking moves Neo uses against Agent Smith upon his realization of being "the One", are the exact same techniques Daniel LaRusso uses against Mr. Miyagi upon his realization that he has in fact been karate training in Karate Kid, The (1984). Sand the floor, paint the fence, wax on, wax off...


Reeves was recovering from neck surgery while training for the Matrix. During the four months of training, he had to wear a neck brace.


By the middle of 2002, the famous "Bullet Time" sequence had been spoofed in over 20 different movies.


In the early stages of developing what was to become the famous Bullet Time sequence, visual effects supervisor John Gaeta and director of photography Bill Pope constructed many gimbals and dollies in the hope of creating the effect the old fashioned way. The original dolly they created for the camera would be lead around the action at a tremendous speed, but after many failed tests and broken dollies, they opted for computer graphics, which meant writing an entirely new program for the effect. However, the Bullet Time sequence does still use one very old fashioned technique: still photography.


The windows that Trinity crashes the helicopter into are apparently those of the Columbia Pictures screening room in Sydney, Australia.


The date stamp on the phone trace program in the opening sequence reads "2/18/98". The date stamp on the phone trace program in the closing sequence reads "9/18/99". This means that the events in the movie take place over exactly 19 months.


Before his character's final speech at the end, Keanu Reeves never has more than five sentences in a row to speak.


When Morpheus is explaining "What the Matrix is" to Neo, he uses the phrase, "Welcome, to the desert of the real." This is a paraphrase from Jean Baudrillard's "Simulacra and Simulation", the hollowed-out book where Neo keeps his illegal software. The quote can be found in Chapter One - The Precession of Simulacra, Page one, Paragraph 2, "It is the real, and not the map, whose vestiges persist here and there in the deserts that are no longer those of the Empire, but ours. The desert of the real itself."


Numerous sets of actual identical twins (not CGI generated) were used as extras in the scene in which Morpheus takes Neo through a computer simulation of The Matrix.


Shot almost entirely in Sydney, Australia, the location scouts found it very difficult to find burned-out, American-ghetto-looking locations. Many of the urban-decay locations had to be created from scratch.

TRUE! --nervous --very, very dreadfully nervous I had been and am; but why will you say that I am mad?
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WOW! there's alot of info there Thank God that we ended-up with the cast we got! According to Joel Silver the Matrix Sets were brand new, and the paint wasn't even dry when they began filming. So how these brand new sets were used in Dark City, I don't know. John Gaeta developed 'Bullet - Time' and it is patented and copyrighted. 101 is also the floor number of the restaurant where we meet the MEROVINGIAN and 303 is the room where NEO is shot by AGENT SMITH. Hugo Weaving(SMITH) also ended up in a plaster cast during filming of M1!

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Splinterinyourmind

More Trivia  

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Here is some more trivia
TRIVIA FOR MATRIX RELOADED:
Actress/Singer Aaliyah was originally cast in the role of Zee but was killed in a plane crash on 25 August 2001.


Gloria Foster also died before the end of shooting the second Matrix film. She had done most of her scenes for Reloaded but had not done any for the third film.


A 17-minute battle sequence alone cost over $40 million.


The 1.4-mile, three-lane loop highway was built specifically for the chase scene on the decommissioned Alameda Point Navy Base. It was destroyed when filming was complete.


It was reported that Keanu Reeves volunteered to give up a claim to a share of ticket sales amounting to around $38 million when producers feared that the film would never recoup the cost of the special effects.


The special effects cost $100 million U.S.


The script for the movie (while in production) was code-named "The Burly Man". "The Burly Man" is the title of the script Barton Fink is working on in the film Barton Fink.


GM donated 300 cars for use in the production of the movie. All 300 were wrecked by the end.


There were several injuries on the set: Carrie-Anne Moss broke her leg training for a wire stunt, Laurence Fishburne fractured an arm in another training incident and Hugo Weaving put out a disc in his neck while being pulled back on a wire.


The film's highway chase sequence took almost three months to shoot (longer than many films' entire shooting schedule).


When Trinity hacks the Power Station's computer, the password she uses is "Z1ON0101".


Trinity uses a genuine hack to get into the Matrix. She uses Nmap version 2.54BETA25 (an actual port scanning tool) to find a vulnerable SSH server, and then proceeds to exploit it using the SSH1 CRC32 exploit from 2001.


Cameo: [Bill Pope] The director of photography makes an appearance as a security guard "who gets paid to count sheep".


Matrix Reloaded promotional material was in such high demand, that distributors were extremely worried about it being stolen. To combat this, standees and banners were sent out with the code names of "Caddyshack 2" and "The Replacements". Several cinemas thought they had not received the materials due to these names, and as such, did not display them until the last minute.


The Wachowski brothers' contract for doing the Matrix Reloaded, and Matrix Revolutions, included a stipulation that would not have to do any media interviews.


Only a few of the Agent Smith clones were actually played by Hugo Weaving. Open casting calls for males with similar body shapes and structures took place, and Weaving's head was superimposed on them later.


Professional Taekwondo instructors were used for some of the stunts, including WTF silver medalist Master Timothy Connelly.


The red chair Morpheus is sitting in when he is expounding his plan to access the source is the same red chair he was sitting in when he offered Neo the red and blue pills in Matrix, The (1999) and when he explained to Neo what the Matrix was.


The two freeways referenced in the movie were the "101" and the "303"


The tractor-trailer used in the freeway chase scene has "Big Endian Eggs" written on it's side. This is a reference to Swift's Gulliver's Travels: "The Lilliputians, being very small, had correspondingly small political problems. The Big-Endian and Little-Endian parties debated over whether soft-boiled eggs should be opened at the big end or the little end," ("Big-endian" has also been adopted as computer terminology.)


There are 1,943 names in the credits.


Historical reference: the Merovingians were the ruling class of France in the 7th Century A.D. It is also the name of a type of Gnostic Church (many elements of Gnosticism appear in the Matrix films).


Because the twins' Cadillac Escalade EXT was not in production at the time of the movie's filming, General Motors had to graft together fiberglass Cadillac parts with prototype Chevrolet Avalanche pickup trucks, to create the black truck seen in the freeway chase. The Lincoln Continental from Matrix, The (1999) makes a brief cameo appearance toward the beginning of the film. The underground garage where the characters select a car is populated with all Cadillacs, including a classic 1950s El Dorado and prototype of the 2004 XLR.


There are many references to number 101.


When Agent Smith pulls up in an Audi at the beginning of the film, his license plate is "IS 5416". In the King James Bible, Isaiah 54:16 says, "Behold, I have created the smith that bloweth the coals in the fire, and that bringeth forth an instrument for his work; and I have created the waster to destroy."


One of the freeway signs during the freeway says "Whipple Ave, Woodside Rd, Marsh Rd" - which are three real consecutive freeway exits on the 101 freeway south of San Francisco.


According to Oakland city officials who worked with the filmmakers on the downtown Oakland shots, all red and blue colors had to be removed, so sidewalk curbs were painted over. Also, there could be no greenery or other plant life, so filming was done over the winter before tree leaves sprouted in the spring.


Carrie-Ann Moss did some of her own driving on the motorcycle in the highway scene.


This is the highest grossing R-rated movie.


The role of "Seraph" was originally written specifically for Jet Li. When Li declined, the role was then changed to a female and offered to Michelle Yeoh, who turned it down due to scheduling conflicts.


It took Carrie Anne Moss 6 months just to get the "Scorpion Kick" in the beginning of scene correctly.


Lambert Wilson's French accent as The Merovingian is intentionally exaggerated at the directors' demand. Wilson speaks English very well and said it was his only deception towards the movie.


The fight sequence of Neo versus Agent Smith and his clones (a.k.a. The Burly Brawl) took 27 days to shoot.

GOOFS FOR MATRIX RELOADED:
Continuity: Bullet holes are already visible on a truck that will be shot at later in the freeway sequence.


Incorrectly regarded as goofs: Since most of the highway carnage was achieved by real people, really crashing, flipping and generally badly treating real cars, a great many safety precautions had to be taken. These included roll cages and other modifications to the vehicles which may be visible in some shots. While, in the strictest sense, these are "revealing mistakes", we're inclined towards lenience on the grounds that we'd rather that stunt performers didn't have to suffer for our entertainment, and they don't actually detract from the spectacle.


Continuity: When Morpheus stabs the sword into the side of the truck it is about three feet from the top. When he stands on the sword, it is about six feet down on the side. Then when he grabs the sword to fight the agent, it is back at the top again


Continuity: When Trinity is driving down the freeway, the bullet holes in the right side of the car are not there on several occasions when the car comes into view from behind other vehicles.


Continuity: When The Architect is talking to Neo, the tie tack he's wearing appears to have fallen out of the left collar (right side on the screen) in one shot. Seconds later, it's back in place.


Continuity: When Trinity is driving on the freeway, her door is locked when seen from inside, but unlocked in exterior shots.


Continuity: During the car chase, the twins shoot out most of the windows in the car that Trinity and Morpheus are driving in. But when seen from the inside of the car, the windows are intact and there is no shattered glass to be seen.


Continuity: The cut on Trinity's right arm disappears and reappears throughout the freeway scene.


Continuity: During the freeway chase there is a shot over the shoulder of one of the twins as he shoots at our hero's car. He rakes his stream of bullets from left to right following the car as it passes behind a white van, but there are already bullet holes in the van *before* the stream of bullets ever reaches it.


Continuity: The tire on the front wheel of Trinity's Ducati 996 changes from slick to treaded a couple of times between shots.


Continuity: When Smith is talking to Neo in the park after seeing the oracle, the direction of the sunlight over Smith doesn't match the shadows in the park.


Continuity: When Neo meets the Oracle and she hands him a candy, she holds it out with the candy held between her fore- and middle fingers. When the camera shifts it is cradled in her palm, and then back to between her fingers.


Continuity: When Neo, Trinity and Morpheus visit Merovingian and are first seated at the long table, Merovingian has a glass of red wine - the amount in the glass changes inconsistently between shots.


Continuity: After one of the agents rips the roof off the car on the expressway, there are some shots that show the interior of the vehicle still dark as if the roof was still intact.


Continuity: When Morpheus falls off of the truck, and is caught by Niobe and Ghost, he breaks the front windshield. After Niobe moves the car to the front of the truck, you see a shot from Niobe's POV, where the windshield is unbroken. Later on, it is broken again.


Revealing mistakes: In the highway chase scene, when the agent leapfrogs onto the hood of a moving vehicle (which crushes into the ground in slow motion), you can see that the only light source is the sun, which is perpendicular to the highway (low and off to the right), and all objects in the scene are casting long shadows only to the left. The agent casts his long left shadow (which extends from the edge of the car's shadow as he lands on it), but also casts a second shadow just below and behind him directly on the car's hood. He is the only object in the scene that casts a downward shadow.


Continuity: When Agent Johnson and Morpheus are fighting on top of the truck and Johnson hits Morpheus so does a huge back flip and at that moment a car passes the truck and on the back window of the car you can see the reflection of an exit sign, Morpheus completes his back flip and he is about to loose his balance, at that moment we see no exit sign for "miles".


Crew or equipment visible: During Morpheus' "very meaning of our lives" speech, the boom operator and boom mic are visible, reflected in his sunglasses (particularly noticeable in Imax format).

marl64

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Splinterinyourmind wrote:


Will Smith was approached to play Neo but turned it down in order make Wild Wild West (1999).


And apparently Keanu was approached to do M.I.B. but turned it down

How that for symetry?

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Do you think Will Smith would get jealous of Morpheus for kissing Nirobe (I know they haven't yet, but I'm suspecting.)

Trivia for the day:
The baby in the pod in Matrix 1 was actually a rubberish thing placed over a machine. Then they CGIed the face in.

On the Red Dress Simulation shooting day, the Woman in the Red Dress actress wore her costume to show Larry and Andy. A guy with a new car spotted her as he was backing out of his driveway, and he was so distracted that he completely ruined his car and his new paint job. He ended up driving away humiliated.

Keanu Reeves noticed that after he had his eyebrows, head, everything else shaved, no one would look him in the eye.

Trinity's costume in Matrix 1 is partially made out of PVC.

Neo's coat in Matrix 1 was described to the costume designers as "liquid sky"

HolEavataR

Blue and Red in the Matrix  

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Splinterinyourmind wrote:

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According to Oakland city officials who worked with the filmmakers on the downtown Oakland shots, all red and blue colors had to be removed, so sidewalk curbs were painted over


That's odd... In the new trailers for Revolutions, it is evident that red exists in the matrix since the Merovingians are wearing black and red in the hell club. Does this mean that the hell club is not a part of the matrix, that the matrix is failing, or that Red is worn by rogue programs? Anyone?

Also, I'm sure this is redundant by now, but "the real world" uses tints of red and blue, especially in the opening scene of the new trailer, where you see the long cables with the red lights.

"To deny our own impulses is to deny the very thing that makes us human." - Mouse
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The machines see the code in RED, humans see it in green....
Revolutions and the animatrix-matriculation confirms this.Hang on I think I said this before...

HolEavataR

Then Neo is... a machine.  

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Another Smith wrote:

The machines see the code in RED, humans see it in green....
Revolutions and the animatrix-matriculation confirms this.Hang on I think I said this before...


Then does this mean that Neo is a machine, since we've only seen the code through his experience?

marl64

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HolEavataR wrote:

Another Smith wrote:

The machines see the code in RED, humans see it in green....
Revolutions and the animatrix-matriculation confirms this.Hang on I think I said this before...


Then does this mean that Neo is a machine, since we've only seen the code through his experience?


What, that green code?

Another Smith

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In my opinion Neo could be the product of both machine and human being. As Neo progressed he began to develop machine like characteristics. There is much in the two films comments etc. to back this up.
Agent Upgrades - "HE'S STILL ONLY HUMAN", as if they are expecting him not to be Human at some point - this is stated on a couple of occasions. The Merovingian tells his henchmen - "SEE HE'S JUST A MAN", they seemed surprised when he bled. All this happened BEFORE Neo went to see the Architect, he took the door that none of the previous Ones took - this is the difference. He emerged with a new power; (some kind of EMP) and from what I can gather an ability to "SEE" RED CODE - I could be completely wrong of course, but if I was right then all the fun would be taken out of the debating game - What do you think?

HolEavataR

Neo is... to be determined  

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Another Smith wrote:

an ability to "SEE" RED CODE


Then, do you believe that the RED CODE is the code of the "Real World" Matrix or what I have called the Blue World*? If so, this power denotes one of three things:

A) Neo is an enlightened human and can now see the RED CODE of the Blue World* after his discussion with the Architect

B) Neo is a machine or part machine and always had the ability to see the Red Code of the Blue World* but never realised his potential

C) Upon Neo writing himself onto Smith, Smith concurrently wrote himself onto Neo, giving him a dormant ability to view the Red Code.


* - Blue World reffers to the MiM theory, where Zion/Real World is a Blue tinted Matrix

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