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Location: Australia
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chris_s wrote: | | Merovingian is the real creator of the Matrix. I will start at the most obvious clues which is Persephone. Her name comes from the Greek goddess who is the wife of Hades, ruler of the underworld or Hell. If Persephone is the wife of Hades in greek Mythology then in the movie she is the wife of the man we can relate to as Satan. Satan is Jesus' counterpart and thus Merovingian is Neo's in the Matrix. The real battle is between Merovingian and Neo and so Merovingian is the creator of the Matrix. |
Certainly the Merovingian is a more engaging character than the Architect, but I find your analogy flawed. Let's consider Persephone. To quote my own website...
Quote: | Persephone is the daughter of Demeter and Zeus (who tricked Demeter by taking on the guise of a bull).
One day when Persephone was still a maiden, Hades abducted her to the underworld. Demeter, hearing the cries of her daughter, sought but could not find her anywhere. Finally, on the advice of Hecate, she consulted Helios -- a sun god who saw all things. He told her that with Zeus's permission, Hades had taken Persephone in order to make her his wife.
Demeter approached Zeus and appealed for Persephone's return, but to no avail. In despair Demeter left Olympus and in the guise of an old woman wandered the earth. Eventually she retired to her temple at Eleusis and prepared to take revenge on the gods and humankind, by preventing any crop to grow for a year.
In this way, Zeus had to listen to her demands. He sent Iris and the Moirae to plead with her, but Demeter would not concede. Finally Zeus was forced to gave in, and sent Hermes to the kingdom of Hades where he obtained Hade's promise that Persephone would be returned. This Hades agreed to, but before she left he gave her a pomegranate to eat. This was the symbol of their marriage and it bound her to him.
Persephone returned to her mother, who upon discovering that Persephone had eaten in the underworld, knew that she would have to return to Hades. She once again threatened to prevent crops from growing in this were the case. Rhea (Cybele) suggested a compromise -- that Persephone would spend two thirds of the year with her mother, and the remaining portion with her husband in the underworld. This Demeter agreed to and fertility was restored. |
Now as such, the classical Persephone is hardly a "mother figure" like her mother, Demeter. Rather, she is a semi-compliant acconplice to Hades, similar to how she appears in the Film in relation to the Merovingian. Don't be fooled by Disney animations, Hades is not the equivalent to the Xian Satan or Devil, though some of his attributes where stolen for later use by them. Rather, he ruled the UNDERWORLD, and what was this like?
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Normally only those who are dead enter the underworld. All the Gods of Olympus (except for Hermes and Iris who acted as messengers) would not do so. Orpheus, Heracles and Aeneas are the only mortals to venture to that realm and return to the land of the living. Hades seldom left his realm, and then used his cap of invisibility to do so unobserved. Hecate also inhabits the underworld, and this was as a reward for her assistance in recovering Persephone.
The underworld lies deep beneath the earth. There are few entrances from above, and passage to the underworld is normally one way only. There was an oracle to the dead at Thesproti in Thrace. Odysseus when at the ends of the earth consulted the dead seer Tiresias. But while sometimes the living desire to contact the dead, the dead have no point in contacting the living.
Hermes would as psychopomp conduct souls to the underworld, and the Ferryman Charon would also ferry them across Oceanus to the gates of bronze. Once through the gates there was no return to the land of the living. Oceanus is the world sea, and surrounds both the land of the living and the land of the dead. The rivers of Acheron, Cocytus, Phlegethon and Styx all run into Oceanus.
The dead appear as mere shadows and if touched appear to be thin air. They only regain the power of thought and recognition after drinking sacrificial blood. Those that died and were unburied had to wait for 100 years near the gates until Charon would pass them any further.
There is no pain in the underworld, but neither is there any joy. Silence reins there as the dead only whisper. Hades and Persephone live in a palace, and with them the Erinnyes, Moirae, Thanatos and Hypnos. There also the lands of Tartarus (punishment) and Elysium (rewards) to which the dead may pass. They may also drink of the waters of Lethe which brings forgetfulness.
The underworld existed so that the dead would have an afterlife. The quality of this afterlife varied. In general it seemed gloomy and depressing in the main areas, however as there was no joy or pain (both springing from life) the dead didn't seem to mind. Later a set of judges was added, who dispatched the dead to specialised areas (and which heavily influenced Christian conceptions of Heaven, Hell, and Purgatory).
If you were good, you went to Elysium, an island in Oceanus and the home of the Blessed (ruled over by Cronus). If you were bad you got sent to Tartarus, a deep cavern in the underworld where the Titans were imprisoned and the wicked sent (Gods who broke their oaths were sent there for nine years) for a time. If you lead an indifferent life you'd hang about in the Asphodel fields (a boring place at best) or in the Palace of Hades (where if in demand you might talk to the living).
Eventually after a certain time, regardless of where they ended up, souls would drink from the Lethe, forget their previous existance and reborn to the land of the living. This was a form of reincarnation, with the dead returning to life because death was so boring. |
All of which implies to me that the MATRIX (assuming that the "real world" in the film is not acttually part of it as well) is more like the Underworld, in which case the Merovingian is very much like Hades, in that he rules over the "shadows" that exist there.
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